Sket Dance

On Going - Every Sunday

Mayo Chiki

On Going - Every Sunday

Sacred Seven

On Going - Every Wednesday

Ano Hi Mita Hana no Namae wo Boku Tachi Wa Mada Shiranai

11 Episodes END [Recommended Romance Anime]

Angel Beats!

13 Episodes END

Deadman Wonderland

12 Episodes END

Bakuman

25 Episodes END

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Rabu, 10 April 2013

Sel Pembuahan dan Luar Angkasa


Jika suatu saat nanti manusia harus meninggalkan bumi karena sudah tidak layak untuk dihuni, kita tetap perlu menghasilkan keturunan. Bahkan saat kita sedang dalam perjalanan menuju tempat tinggal yang baru itu.

Akan tetapi, sejauh mana peluang untuk mendapatkan keturunan saat manusia telah meninggalkan planet bumi ini?

Dari penelitian yang dilakukan sejumlah ahli, tampaknya hal tersebut sulit terjadi. Pasalnya, ruang angkasa sendiri sebenarnya merupakan sebuah sistem kontrasepsi yang sangat besar.

Hasil penelitian khusus, seputar seks di ruang angkasa menyimpulkan bahwa radiasi kosmik akan membombardir tubuh manusia dengan kuantitas yang besar selama perjalanan di luar angkasa. Selain itu, tinggal di Mars, misalnya, dalam waktu yang lama akan menurunkan jumlah sel sperma.

Janin yang sudah terbentuk tidak akan berkembang secara sempurna di lingkungan ruang angkasa. Meski saat ini ruang di pesawat angkut telah dilengkapi dengan pelindung radiasi yang lebih baik, tetap saja itu tidak cukup untuk melindungi zigot untuk berkembang.

Jika bayi berhasil keluar dari kandungan, peluang bayi itu mengalami cacat yang diakibatkan oleh radiasi sangat besar.

Dan masalah tidak hanya sampai di situ. Dari penelitian terhadap hewan yang dikirim ke luar angkasa, imbas radiasi bisa membunuh sel telur pada janin.

Bayi akan terlahir dalam kondisi mandul. Artinya, itu akan mempersulit umat manusia berkembang di planet baru itu nantinya.

Menurut Richard Jennings, pakar medis ruang angkasa asal University of Texas, astronot memang terbukti tetap mampu membuahi pasangannya setelah ia kembali ke Bumi.

Akan tetapi, perlu dilakukan penelitian lebih lanjut terhadap astronot yang menunaikan misi di luar angkasa dalam periode waktu lebih lama.

Dari sisi teknis, masih ada tantangan bagi manusia yang ingin menunaikan tugasnya di luar angkasa. Kostum ruang angkasa saat ini cukup berat dan tidak menyediakan banyak kemudahan untuk 'berhubungan intim'. Dan sayangnya, manusia tetap perlu menggunakan pakaian khusus.

Alasannya, dalam kondisi tanpa gravitasi, keringat atau cairan lain yang keluar dari tubuh berpotensi dapat merusak perangkat elektronik pesawat. Apalagi ditambah dengan kenyataan bahwa manusia lebih berkeringat saat di luar angkasa.

Namun demikian, tetap saja ada hambatan lain yang telah disiapkan ruang angkasa. Mekanisme tubuh manusia tidak memungkinkan itu terjadi.

Jika manusia ingin mendiami planet lain, antariksawan harus melakukan perubahan besar-besaran pada pesawat ruang angkasa agar penjelajah di masa depan bisa bertahan lebih lama di luar angkasa dan mampu menunaikan tugas alaminya.

Jumat, 15 Juli 2011

Animonster - April 2011


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Gauche the Cellist (Sero Hiki no Gōshu)

Gauche the Cellist (セロ弾きのゴーシュ Sero Hiki no Gōshu?, also transliterated Gorsch the Cellist or Goshu the Cellist) is a short story by the Japanese author Kenji Miyazawa. It is about Gauche, a struggling small town cellist who is inspired by his interactions with anthropomorphized animals to gain insight into music. The story has been translated into English and Italian, and was adapted into a critically acclaimed anime in 1982 by Isao Takahata. It had previously been adapted to the screen several times.


Gauche is a diligent but mediocre cellist who plays for a small town orchestra (The Venus Orchestra, Japanese:金星音楽団, Kinsei Ongaku Dan) and the local cinema in the early 20th century. He struggles during rehearsals and is often berated by his conductor during preparations for an upcoming performance of Beethoven's Sixth Symphony (the Pastoral Symphony).
Over the course of four nights, Gauche is visited at his mill house home by talking animals as he is practicing. The first night, a tortoiseshell cat came to Gauche and, giving him a tomato, asked him to play Schumann's "Träumerei." Gauche was irritated, as the tomato was from his garden outside, so he berated the cat and instead played "Tiger Hunt in India." This startled the cat and made it leap up and down in astonishment. The cat ran away in fright.
The second night as he was practicing, a cuckoo came to him asking to practice scales to Gauche's cello accompaniment. Gauche repeatedly played "cuckoo, cuckoo," accompanied by the bird. Eventually, he felt that the cuckoo's song was better than his cello. Gauche chased the bird away, causing it to fly into his window, hitting its head.
The third night as he was practicing, a raccoon dog (Japanese: 狸, tanuki) came to him asking to practice the timpany to Gauche's cello accompaniment. As Gauche played "The Merry Master of a Coach Station," the tanuki hit the cello with a drum stick. The tanuki pointed out to Gauche that he played slowly despite trying to play speedily. The two left on good terms as the day broke.
The fourth night as he was practicing, a mother mouse came in with her baby, asking him to heal her sick son. When Gauche told her that he wasn't a doctor, she replied that the sound of his music had already healed a number of animals. Gauche put the sick little mouse into a hole of his cello and played a rhapsody. When Gauche was finished, the little mouse was able to run around. The mother mouse cried, thanked Gauche, and left.
The Sixth Symphony concert was a great success. In the dressing room, the conductor asked a surprised Gauche to play an encore. Upon hearing the applauding audience, Gauche thought he was being made a fool of and again played "Tiger Hunt in India." Afterward, everybody in the dressing room congratulated him.
When he came back to his house, he opened the window where the cuckoo had hit its head and felt sorry for his actions.[2] The ending scenes shows the animals and Gauche at peace, playing to the music of the Pastoral symphony.

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Whisper of the Heart (Mimi Wo Sumaseba)

Whisper of the Heart, known in Japan as Mimi o Sumaseba (耳をすませば?, lit. If You Listen Closely) is a Japanese manga series written and illustrated by Aoi Hiiragi. The manga was serialized in Shueisha's shōjo manga magazine Ribon between August and November 1989. A single bound volume was released in February 1990. A second manga by the same author titled Mimi o Sumaseba: Shiawase na Jikan was serialized in Shueisha's Ribon Original in 1995; a single volume of this manga was released in February 1996. A single volume containing both manga under the title Mimi o Sumaseba was released in July 2005.
A novel, written by Masami Tanaka, was published by Shueisha in June 1995 under the title Mimi o Sumaseba. In 1995, the original manga was adapted into an anime feature film of the same name by Studio Ghibli. Although the film shares similar instances and plot, it is not based strictly on the manga itself.


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On Your Mark

"On Your Mark" (オン・ユア・マーク On Yua Māku?) is a song by the Japanese rock duo Chage & Aska. At their request, animator Hayao Miyazaki produced a music video for the song. The music video was created in 1995, is entirely animated, has no dialogue and runs for six and a half minutes. The song was used in advertisements for NEC.


The narrative is told in a nonlinear fashion. This is likely inspired by the lyrics.[1] As the song describes, the two men do not give up in their efforts to rescue the winged girl, no matter how many times they fail.[2]
The video begins with shots of a peaceful but vacant village, overgrown with weeds, with the enormous concrete sarcophagus of a covered-over nuclear reactor in the background.
As the music begins, the scene changes to a sci-fi style nighttime military-style police raid on a cult. Futuristic flying troop transports crash through the windows of a tower topped by the gigantic neon-lit eyes and occupied by armed defenders. Anti-terrorist policemen exchange gunfire and grenades with cultists whose hoods depict an enormous eye, similar to those of the Dorok priests in Miyazaki's Nausicaa manga. The police are victorious; as they sort through the bodies of apparent mass suicide victims, two of them find what appears to be a girl, lying unconscious, with large feathered wings on her back.
The scene changes again, now to bright daylight and blue sky. Two men are driving an old Alfa Romeo down an empty road. One of them helps the girl up; she spreads her wings; he holds her hands as she gains confidence. With a nudge she is airborne, but she seems hesitant and afraid as he lets go.
The scene changes back to the discovery of the girl in the tower (bypassing the original sequence of the raid leading up to this point). Only at this point are the two men revealed to be the two from the vehicle in the previous sequence. The two men carefully carry her out and offer her something to drink, and are encouraged when she sips. But a team of scientists wearing radiation suits arrives and quickly takes the girl away after placing her into a sterile container.
The two men are shown relaxing later, but thinking of the girl and looking somewhat morose — haunted by the fate this girl will suffer. The two plan — they are shown working on various aspects of this, then the pair wearing radiation suits and breaking into a laboratory and rescuing the girl. This triggers the lab's alarms, and the three of them escape in an armored truck. They drive along a narrow suspended roadway over what appears to be a domed city built in a crater. Police hovercrafts are in pursuit, and one of them collides with the roadway and destroys it, sending the truck plummeting. The winged girl refuses to let go of the hands of her rescuers, and the three of them presumably fall to their deaths.
A brief montage of previous shots follows: the discovery of the girl, the girl flying through a blue sky, the two men rescuing the girl from the laboratory and stealing the truck, the truck plummeting amidst the wreckage of the roadway. But this time, the truck fires stabilising thrusters and makes a short flight into the side of an apartment tower. The men and the girl escape; they are seen in their sports car racing through a dark tunnel underneath signs which bear radiation symbols and read (in kanji) "Beware Of Sunlight" and "Survival Not Guaranteed", then finally they emerge into daylight, passing through a field of nuclear cooling towers and past a sign which reads "Extreme Danger." Except for the green fields and trees, there are no other signs of life. This lush vegetation however hints the radioactivity might have subsided long ago, allowing nature to take over.
As the car speeds down the road, one of the men helps the girl up, and she spreads her wings and gives them a grateful smile; he kisses her hand, and the other winks in farewell. Soon, she is gone drifting upward into the sky. Briefly, a major urban cityscape is seen beyond the trees. From a bird's-eye view, we see the shape of the car veering off the road and slowing to a stop in the grass. Hayao Miyazaki implies the two policemen might not be able to return to their old life, however; whether this is because of the authorities being on their trail or because of potential radioactive poisoning is unknown.

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